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Jaiminiya Brahmana : ウィキペディア英語版
Samaveda

The Samaveda (Sanskrit: सामवेद, ''sāmaveda'', from ' "song" and ' "knowledge"), is the Veda of melodies and chants.〔 It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism. One of the four Vedas, it is a liturgical text whose 1,875 verses are primary derived from the Rigveda.〔 Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India.〔〔
While its earliest parts are believed to date from as early as 1700 BCE (the Rigvedic period), the existing compilation dates from the post-Rigvedic Mantra period of Vedic Sanskrit, c. 1200 or 1000 BCE, but roughly contemporary with the Atharvaveda and the Yajurveda.〔Michael Witzel (The Development of the Vedic Canon and its Schools : The Social and Political Milieu ) Harvard University〕
Embedded inside the Samaveda is the widely studied Chandogya Upanishad and Kena Upanishad, considered as primary Upanishads and as influential on the six schools of Hindu philosophy, particularly the Vedanta school.〔 The classical Indian music and dance tradition considers the chants and melodies in Samaveda as one of its roots.〔
It is also referred to as Sama Veda or Samveda.
==Text==

The ''Samaveda'' is the Veda of Chants, or "storehouse of knowledge of chants".〔Frits Staal (2009), Discovering the Vedas: Origins, Mantras, Rituals, Insights, Penguin, ISBN 978-0143099864, page xvi-xvii, Quote: "The Vedas are an Oral Tradition and that applies especially to two of the four: the Veda of the Verse (Rigveda) and the Veda of Chants (Samaveda). (...) The Vedas are not a religion in any of the many senses of that widespread term. They have always been regarded as storehouses of knowledge, that is: ''veda''."〕 According to Frits Staal, it is "the Rigveda set to music".〔Frits Staal (2009), Discovering the Vedas: Origins, Mantras, Rituals, Insights, Penguin, ISBN 978-0143099864, pages 4-5〕 It is a fusion of older melodies (''sāman'') and the Rig verses.〔 It has far fewer verses than Rigveda,〔James Hastings, , Vol. 7, Harvard Divinity School, TT Clark, pages 51-56〕 but Samaveda is textually larger because it lists all the chant- and rituals-related score modifications of the verses.〔
The Samaveda text contains notated melodies, and these are probably the world's oldest surviving ones.〔 The musical notation is written usually immediately above, sometimes within, the line of Samaveda text, either in syllabic or a numerical form depending on the Samavedic ''Sakha'' (school).〔KR Norman (1979), Sāmavedic Chant by Wayne Howard (Book Review), Modern Asian Studies, Vol. 13, No. 3, page 524;
Wayne Howard (1977), Samavedic Chant, Yale University Press, ISBN 978-0300019568〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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